Synth Rack is a central MIDI control station for all open synths in your sequence, which can replace your actual synth GUIs, saving you screen real-estate and GPU exertion. In the same way, even a legato or sustained guitar part can be synchronized-or have its feel changed instantly-to match a funky drum and bass groove.
AudioSnap is also handy for synching non-percussion audio instruments with an existing groove. When I'm chopping up a drum loop to create the feel for a new song, or if I need to quickly match an audio drum loop with a totally different feel (like transform a drum loop with a shuffle feel into a straight four-on-the-floor groove), I'll use AudioSnap AudioSnap immediately marks the audio clip beats on the transients, allowing me the option to slice the loop up or quantize it-and change the rhythmic feel-as well as remove individual beat subdivisions, etc. AudioSnap is perfect for correcting timing and groove feels on drum loops, or any audio instruments. This uber-style-y editing tool lets you instantly chop up and quantize audio clips-on or off-line (temporarily in real-time, or permanently/destructively)-along with other useful functions, like time-stretching. Of course, I can always assign my own buttons and sliders for non-standard synths or plug-in configurations.Īlso included in Sonar 6 is an extremely important editing tool called AudioSnap. Also, with my Edirol PCR keyboard controller on Cakewalk's preset list, ACT's default knob and slider control mapping is great for most of my soft synths. ACT also offers the Learn function for all soft synths, so you can instantly map a parameter to the button you're automating. So you don't lose your work-nice! This has already saved my ass a few times.Ĭakewalk's ACT MIDI tool instantly and intelligently maps your MIDI controller to your favorite soft synth functions (e.g., resonant filters, etc). Also, Sonar now offers to create a recovery file, in the event the application becomes unstable and needs to close. I use Quick Group to select and write automation to multiple faders simultaneously.
You can slide, show, or hide any module or controller setting-or toggle between global or per-channel. The Console View GUI is pretty sweet, as well. Right-click menus offer numerous possibilities most effects are immediately available for audio processing and a lot more. There are plug-in menus for quick grouping of clones friendly port-naming for individual audio and MIDI hardware I/Os and custom widgets-knobs, sliders, etc.
#Sonar 6 producer edition full
Sonar 6 is slicker and more intuitive than ever with new view customizations like coloring and shading enhancements, as well as the ability to change layouts on menus, color schemes, and global tool bars-with full color-customization. Old versions of Sonar run on new hardware, and vice-versa.
#Sonar 6 producer edition driver
Using Sonar with WinXP Pro 32-bit, I don't have to worry about proprietary and exorbitant hardware costs constant driver and OS incompatibility issues and worst of all, expensive and ineffective tech support. Sonar always installs quickly and easily-and runs beautifully-even on the D400 with its ancient, crappy SigmaTel sound card. So, in order to make all this happen, I need reliability and performance in my DAW.įor this review, I'm testing Sonar Producer Edition v6.2.1 on three PCs: a quad-core Intel Q6600 that I just finished building, a P4 3.2 HT, and a random old Dell Latitude D400 business laptop. I need to record, arrange, and edit all these tracks-and capture musical ideas quickly.
#Sonar 6 producer edition software
These days, 30-60 instruments of Dimension Pro and Rapture, both of which are cross-platform software instruments from Cakewalk, are standard for me.
For example, the songs "Your Touch" and "No One Like You" by Universal Recording artist Luminous (a collaboration with Hugh Padgham) are easily 100 tracks each. I might use 50 tracks for vocals alone, and another 40 for guitars. In my music production work, I employ huge audio and MIDI track counts, oodles of plug-ins, and heaps of audio editing.
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